At first glance, To All the Living might seem like a strangely situated novel, looking at factory life in WWII England. Give it a read, though, and it opens up into an extremely interesting tale, filled with drama and a profound appreciation for all characters. It’s a fascinating book. And while not the most innovative works of literature, it flashes more than a few moments of true brilliance. Makes sense, too, as its author, Monica Felton, was an extraordinary person. The Imperial War Museum is so right in naming this a classic.
The story centers around the workers at the Blimpton ammunition factory in Dustborough. Naming is humorous and apt. Miss Creed oversees the women who do much of the labor. Public relations for the enterprise is headed by Otway Dolphin. Small details, flourishes and asides are thoughtfully employed throughout. Felton shares a great deal, with skill and sometimes surprisingly few words.
Drama emerges through the complex interplay of workers and the pressures on the factory. It takes place during the early years of WWII, when Britain’s continued existence was at stake. That big-picture dread is on the horizon, while the characters also wrestle with everyday challenges and fears. Much of the actual work is making ammunition for artillery, a toxic and dangerous business. Young women, sold on the idea of making money – remember, options were quite limited – and helping the war effort, are the labor force. Necessarily they are stressed, often unhappy, and trying to figure out their place within a rapidly changing world. Bureaucratic wrangling and structural incompetence adds another layer of complexity. Though set many years ago, the novel will ring true to anyone who has worked in a politically driven multi-tiered organization.
Felton, a committed feminist, gives her female characters authentic voice. Ground-up narration in the third person, building a series of interlocking stories from multiple perspectives, shapes the text. There’s humor, wit, and more than a fair share of criticism, formal and informal. The book also has romance, colorful characters (despite the dreariness of Dustborough), politics at the local and national level, and a very keen ear for the hidden battles that are woven throughout workplaces.
Felton, a PhD from the London School of Economics, was a town planner, elected official, and serious political player. She worked in Britain’s Ministry of Supply during the early years of the war, too, giving her the direct material for much of the book. Felton clearly was an extraordinarily thoughtful woman and it is evident that To All the Living was not written solely for entertainment. She had important ideas that she wanted to convey. That struck me as quite similar to much of George Elliot’s literature. Both women used plot, characters and conflict to bring to life broader issues, especially the opportunities and constraints defining women’s lives.
Really good novel from a brilliant author – I heartily recommend To All the Living. It has relevance today.