Theodore Roosevelt and an Historian’s Obsessions

Tell someone you want to be a history teacher and you’re likely to get an old joke: if you’ve studied it once, you don’t need to study it again. History, after all, doesn’t change.

If only.

When Trumpets CallWhen you really dig into a historical subject, start to obsess about it, write about it and argue it, you see it in new ways. You don’t tire of it and instead, re-interpretation and re-re-reinterpretation becomes natural. Interest leads to curiosity, which in turn catalyzes ever more curiosity. It’s a strange feeling and a good one, too – humbling.

I had that sensation when doing graduate research on the early part of the twentieth century in American politics. It emerged slowly, over years of work. Reading primary sources complemented secondary sources, which in turn gave me insight into different primary sources. I read and read and read, to the point when I was working on my dissertation that I dreamed of living in the early 1900s. Reading newspaper from the period again and again will do that. Even though today I do not teach or write history, I find myself pulled to that period out of interest and familiarity. It has become part of me.

Recently I finished When Trumpets Call: Theodore Roosevelt After the White House – another biography of Theodore Roosevelt. There are many biographies of the man. The broad outlines of Roosevelt’s life are well-known, as is his over the top personality, and his emergence as a popular culture icon. It’s no accident that Robin Williams played a touching TR in the Night at the Museum movies.

Roosevelt is a fascinating figure to study and there is much to admire in his early years. His post-presidency rhetoric, though, and his strident militarism can make for a difficult subject. O’Toole – a writer, not a professional historian – renders him with patience and deep appreciation. Her research was with direct sources, so her reading of Roosevelt’s correspondence and those of his colleagues helps to flesh out the man’s complexities. She is a skilled author. O’Toole is able to add drama and impact to the history.

That said, O’Toole does not add anything really new to the study of the man. This is no closely argued academic tome. She comes to the subject with no broad argument, no ax to grind, and no key thesis to prove. She writes for understanding and to sell books. In these goals, she succeeds.

What is missing from the book is the sort of deep appreciation and understanding of a trained historian. She writes history without an historian’s passion. And somehow I doubt that she dreams about what it was like in the summer of 1912, in Chicago, as the Republican Party tore itself apart trying to find a candidate and consensus. As I said, I’m a little bit obsessed.

David Potash

A Funny Thing Happened On the Way to the Conference

SkiosI remember the first time I noticed the difference in the bookstore between “Fiction” and “Literature.” There didn’t seem to be the same distinction in the library. I knew of fiction (the made up stories) and non-fiction (the real stories). But what did make of the sorting of fiction from literature? Literature struck me as older, often written by people now dead, and published by Penguin. It was more English. Fiction, on the other hand, was newer and often came in hardcover with dramatic art. Literature was serious. If I wanted something funny, I headed to fiction. This sorting from long ago popped into my head while reading Michael Frayn’s Skios. Frayn is a genius, a British author and playwright that cranks out serious works and interesting plays the way most of us go shopping. Another season, another errand, and for Frayn, another brilliant piece of work. Frayn’s play, Noises Off, is a farce that makes me smile just thinking of it. Written as a play, it was also made in to a movie. It is silly, tightly paced, and pretty much guaranteed to make you laugh. That is no easy task. You will never think of “sardines” the same way after seeing it.

Skios is funny, too, but not in the same way. It is a comedy of mistaken identity, awkward situations, and a gentle satire of the high-flying world of conferences for the wealthy and privileged. Action takes place on the island of Skios, home to the pretentious Fred Toppler Foundation, and a host of Greek nationals. An attractive sociopath is mistaken for the foundation’s visiting speaker and he runs with the opportunity. The actual speaker, a self-important and pompous academic, is routed to a series of proper comeuppances. The joy comes not in the book’s resolution, but in the humor along the way.

Frayn renders the characters with compassion as he gently mocks them. The set-pieces are described beautifully. Though it did not double me up with laughter, Skios gave me more than a few chuckles. I’d wager that the play and the film would do the same. And as to whether it is fiction or literature, I have a sense that it will end up in the literature shelves at some point in the future. Now if there was only an opportunity for a beach read in the chill of December . . . .

David Potash